This rare thanka was painted in the Tashilumpo monastery in central Tibet for a Newari patron from Nepal. From the seventeenth century on, wealthy Nepalese merchants trading with Tibet often visited the famous Tashilumpo monastery, seat of the Panchen Lamas, and commissioned thankas. Although the style of such paintings follows the contemporary Tibetan formula of symmetrically arranged deities in the upper register, the donor figures at the bottom appear as Newari nobility, painted so finely that they approach the exquisite detail of Indian miniature painting. The Nepali, in native dress, are shown engaged in various consecration ceremonies. The mount of this thanka is painted with designs imitating the imperial Chinese brocade typically used to frame thankas belonging to important monasteries; since these expensive silks were reserved for monastic use only, the Newari merchants had to settle for this painted imitation.